Trinnov Audio PRO SA

Contact details

  • 5 rue Edmond Michelet
  • 93360 Neuilly-Plaisance
  • France

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About Us

Take me directly to Range of services

For more than 12 years, Trinnov Audio has been bringing the OPTIMIZER, a very innovative solution for a perfect room correction, from a stereo up to a 64 loudspeaker system.

     

  • The version 4 is now shipping within the brand new D-MON SERIES, a comprehensive Monitoring Controller. The 0 latency Routing Matrix combines with an Internal Mixer to offer a perfect analog and digital last stage to manage all the Monitoring aspects of a professional studio. The D-Mon Series is compliant with most used protocols (Avid Eucon & Icon, Midi, OCA...) to offer the best and most flexible interface whether from your own control surface, some universal remote controller or any smart device (tablet, computer, smartphone...).

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Worldwide renown as the most effective room correction ever, the Optimizer can come along with the SMART-METER to handle all Loudness Meterings, in sync with the session time-code. No more outside check-up is then needed to ensure a perfect delivery.

Some facts about our almost 4000 customers:

     

  • 100% are happy and won't let go their processor.

  • 100% are saving production time (from 30 to 50%).

  • 100% are no longer checking their work outside

  • 100% are saving money with much less purchase of processing gears and plugins

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Range of services

Take me directly to Visit us at the following trade fairs

Let's visit our booth and discover :

     

  • The ST2-PRO: the simplest processor which comes with 4 Analog IOs (XLR), 4 Digital IOs (AES) and 4 Optimizer Channels. Option for a 4 tracks Smart-Meter (Loudness metering), GPIOs and accessories. The 2016 version handles the 3.8 firmware and is refurbished with a new front panel.

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  • The D-MON SERIES: you can find 4 models handling respectively 4, 6, 8 and 12 channels to cover various situation in Music, Post-Production and Production studios.

  • D-Mon|4 : for stereo rooms with 2 pairs of stereo speakers (or LCRS or 2.2). Routing of 20x20 with 8 mix buses. 4 Analog Inputs, 8 AES IOs, 8 Digital Insert, 12 Analog Outputs.

  • D-Mon|6 : for post rooms with a 5.1 speaker set (or 3 stereos). Routing of 28x20 with 12 mix buses. 8 Analog Inputs, 8 AES IOs, 8 Digital Insert, 12 Analog Outputs.

  • D-Mon|8 : for cinema rooms with a 7.1 speaker set (or 4xst, 5.1+2,...). Routing of 40x32 with 16 mix buses. 8 Analog Inputs, 16 AES IOs, 8 Digital Insert, 16 Analog Outputs.

  • D-Mon|12 : for immersive mixing rooms (Atmos, Auro3D) with 7.1+4 speakers (or 2x5.1, 6xst,...). Routing of 40x32 with 16 mix buses. 8 Analog Inputs, 16 AES IOs, 8 Digital Insert, 16 Analog Outputs.

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  • The MC SERIES: fully revisited, this Series offers more modularity and flexibility than ever.

  • Fully Analog: handle up to 16 inputs and up to 32 outputs, to handle large mixing stages with multi-way front speaker set (cross-over filters) and many surround speakers. Up to 32 channels.

  • D-to-A: provides up to 32 AES inputs and up to 32 Analog Outputs to provide both the latest D/A conversion, a comprehensive and smart lot of cross-over filters and the whole hall room correction with up to 32 Optimizer channels.

  • MADI: perfect match with the RMU for all Atmos rooms or with a MADI system to handle any combination of large amount of speakers (up to 64).

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Exhibitor at the following trade fair

Prolight+Sound 2016

05.04.2016 - 08.04.2016 Hall: 4.1 Stand: B 59